The best would be if dye transfers where still a thing, saw a William Eggleston show last week in barcelona with 40 year old dye-transfers and they looked amazing, and richer than the recent reprints they had on display done with hahnemuhle photo rag. Same thing happened to me when in Tate modern they had some Martha Rosler c-prints that where amazingly beautiful, the same day I saw a new show by Thomas Struth with inkjets and in comparison the tones where lacking and the depth inexistent, something that was quite the opposite on previous work/prints done by him.