The Chacarera recordings and compositions of Manuel Gmez Carrillo and Andrs Chazarreta have provided a foundation for recording artists throughout the twentieth century, including Atahualpa Yupanqui, Los Hermanos Abalos, and more recent musical ensembles like the Do Coplanacu, Peteco Carabajal and La Chacarerata Santiaguea. The distribution of these recordings via record and radio has led to the establishment of local, national, and international audiences for the genre. In Santiago del Estero, Mendoza, and Buenos Aires alike, musicians gather in Peas, or small folkloric clubs, to sing and dance their favorite Chacareras, often with specific regional flare. In neighboring nation-states including Uruguay, Per, Brazil, Bolivia and Chile, Chacarera recordings of artists like Yupanqui are well-known, and often incorporated into local repertoires.