When all of these are taken into account, one unpleasant conclusion arises, which also reveals a focal weakness of the opera industry today. The actions of the new management at the opera house come off as new leadership trying to make its stamp by blowing up the existing structure and achievements built up by the previous administration. This could frequently go very deep and provoke seismic movements that are not really of benefit to anyone: talented young singers get caught in the crosshairs and frequently suffer outsized consequences to their careers.